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Mikee in Jodhpur splendor
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Cojuangco-Jaworski
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I ALWAYS WANTED to be like Mikee Cojuangco-Jaworski. I mean
she has almost everything. She grew up rich and privilege.
Manor-born. Who wouldn't want to be manor born? She's smart
(Ateneo- AB Psychology) and gorgeous. But most of all, she
oozes kindness. Her simple smile can illuminate a room. Not
all people are blessed with such sparkling presence.
"She was born with all the good fairies gazing over
her crib," paraphrasing Candice Bergen for In-Style magazine,
speaking about Gwyneth Paltrow. But unlike the Gwyneth Paltrows
of this world who exude sophistication beyond the reach of
the "masang Pinoy," Mikaela Maria Antonia, the third
daughter of high-profile politicians only brims with simplicity.
Mikee, the pride and joy of Peping and Ting-ting Cojuangco
began riding at the age of 10. Although she already wanted
to learn two years earlier at eight, her parents were kind
of adamant against her starting early. She launched a career
in equestrian competitions right away, acquiring a first international
experience at 16 in 1990 in Shizuoka, Japan where she placed
third in individual show jumping.
Equestrian (eventing) has three phases: dressage, cross-country
and show jumping. I love watching dressage the most. Getting
into the beat of the hypnotic rhythm of the rider and the
horse is awe-inspiring. Cross-country is an exhaustive endurance
race to the finish. While show jumping offers obstacles, pretty-looking
ones like a pond or a stack of hays, the rider is judged by
the clock and the penalties incurred.
Obviously, Mikee is a show-jumper. Our entire Philippine
team at the Asiad, were, I believe, show jumpers; Daniella
Cojuangco, Paola Cojuangco, Michelle Cojuangco-Barrera and
Toni Leviste. Yes, they've got nice family names. As Pinoys,
we're a bit conscientious with surnames. But equestrian is
an expensive sport. Money is the bottom line. A horse is an
expensive commodityAmore extravagant than most cars.
If one competes in equestrian events, the rider has to shoulder
everything - grooming, travel, food. One could have sponsors,
if enterprising enough, but that will only cover a slice of
the pie.
What
was great with Mikee was that she was able to parlay and segue
both her horsemanship and showbiz career for five years (1994-99)
in awesome strides. We all know she stopped acting when she
got married in '99 but still it was a dynamic five years.
Being in showbiz helped finance some of her events abroad
and how she was able to sustain that disciplined lifestyle
is quite mind-numbing.
The elegant equestrienne did about nine movies, breaking
ground with Forever with Aga Muhlach in 1994 until her last
film Kasangga...Kahit Kelan with Cesar Montano in 1998. There
was another movie with Aga and Onemig Bondoc in '97 and with
Bong Revilla, also about the same year. But I managed to see
DO RE MI with Regine Velasquez and Nag-iisang Ikaw with Kempee
De Leon and Matthew Mendoza. As an actress, Mikee wasn't particularly
that brilliant, she wasn't over the top either. But she was
Viva Film's major star not because she was a Cojuangco but
because she has beguiled the nation with her effervescent
smile in that Swatch commercial.
From 1995-1999, Mikee also got to star in her own drama anthology
named after her, produced by Viva Television on GMA. "Mikee"
was reformatted to a sitcom in early '99, and after tying
the knot with Dudut became a "Lovingly Yours, Helen,"
of sorts, dubbed "Dear Mikee." Usually only big
stars command their own anthology cum sitcom or variety show,
the likes of Sharon Cuneta and Maricel Soriano. In a way,
she was like Kris Aquino. Like her cousin, the family name
and connections are mere appetizers, the real deal was the
screen presence.
To give way to married life, Mikee took a sabbatical both
from competitions and acting in 2000 to care for her growing
family, her eldest son Robbie, as well as being wife to Dudut.
She was shooting commercials and magazine covers but not much
appearances in the showbiz circuit. She went back into competition
in 2001 prior to the birth of her second son Rafael Joseph.
Before the Asiad, Mikee wasn't really the star equestrienne
of the team. In my observations, she was always in the shadows
of Denise Cojuangco and Toni Leviste. In fact, it was Toni
who represented the Philippines in the Sydney Olympics. She
was in a way, overlooked as a contender. Her triumph came
as a huge surprise considering the strong field and the Asian
Games being such huge event. Somehow the equestrian gods smiled
broadly at our Mikee.
A Cojuangco or not, Mikee toiled hard to be a champion rider,
more than worthy to carry flag and country. Everyday, she
got up before 5AM, driving in the countryside to tend to her
horses, riding them, walking them around the paddocks, feeding,
scooping hay from the pile, sweeping the manure. Such is the
disciplined grounding of a rider. In a way, all our equestriennes
were actually and equally stunners, not just Mikee. *
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